Linh Pham is a Vietnamese theatre-maker, playwright and creative producer working between Australia and Vietnam at the intersection of performance, cultural memory and audience engagement. Specialising in site-specific and multisensory theatre, she creates work that dissolves the fourth wall, transforming audiences from passive observers into active participants within a living narrative.
Linh is the founder, director and scriptwriter of Những Thuở Xuân Vương, a multisensory “Emotional Escape Room” project reimagining Hanoi’s cultural heritage through immersive, site-specific storytelling. Across two seasons, she has led an 80-member team, and the project has been featured on Vietnamese national television and recognised at the Hanoi Festival of Creative Design as part of the UNESCO Creative Cities Network. A third season is now in development. She is also the scriptwriter behind Ca Dao Hồn Việt, an immersive experience breathing new life into centuries-old Vietnamese folk poetry for Gen Z audiences. For G’LAMS Musical, Linh wrote two original large-scale productions, Người Tìm Nơi Sóng Lặng, set against the 1972 bombing of Hanoi, and Mưa Bóng Mây, inspired by Japanese kitsune folklore, and led the first as General Director, selling out 1,200 tickets in ten minutes.
In Australia, Linh was selected as one of seven emerging Western Sydney playwrights for the Parramatta Play Project, culminating in a public reading at Parramatta’s Lit! 2026, and her new work, A Letter of Five Sentences, will be presented at Slanted Theatre’s Goat Yarns for Lunar New Year 2027. A Performance Space Young Ambassador, she volunteered as Assistant Producer on its Experimental Sound Program, and has coordinated events at Africa Film Festival Australia, Sydney Contemporary and The Other Art Fair.
A Bachelor of Creative Industries graduate of Western Sydney University (Festival & Event Management and Drama), she was awarded a Vice-Chancellor’s Academic Excellence Scholarship and has worked as an editor at W’SUP, the university’s student newspaper. Her practice is driven by a passion for connecting people, heritage and place through interdisciplinary, cross-cultural storytelling, and a belief that the most powerful stories are the ones audiences step inside of, not just watch.
